Daniel Moody

+Grammy-nominated countertenor+

Countertenor Daniel Moody is praised for his “sweet and melancholy sound” (The Washington Post) and his ability to “pierce hearts” and “utterly silence a room” (The Boston Musical Intelligencer).

Grammy-nominated countertenor, Mr. Moody has made a career singing baroque masterpieces with many orchestras, festivals and ensembles and contemporary concert and operatic works for the countertenor voice.

Mr. Moody made his Metropolitan Opera debut in Brett Dean’s Hamlet singing the role of Rosencrantz. He has sung several roles written for the countertenor voice including Hannah Lash’s chamber opera Desire, Peter Knell and Stephanie Fleischmann’s Arkhipov , Elena Ruehr’s Cosmic Cowboy and Jorge Sosa’s Alice in the Pandemic.

A sought after Handelian countertenor, Mr. Moody has worked with San Francisco Opera in Handel’s Partenope, and has previously performed the title roles in Giulio Cesare and Rinaldo, Arsamene in Xerxes, Lichas in Hercules, and Didymus in Theodora.

Moody has soloed in concerts in both baroqie and contemporary works with the following organizations:

Academy of Sacred Drama,
Acronym,
Alabama Symphony,
Anchorage Chamber Music Festival,
American Classical Orchestra,
Baroque Chamber Orchestra of Colorado,
Boston Early Music Festival,
Brooklyn Art Song Society (BASS),
Charleston Symphony,
Concerts at Thornwillow,
Crescent City Chamber Music Festival,
Early Music New York, Early Music Access Project,
Edmonton Symphony (Richard Eaton Singers)
Festival de Febrero (Mexico) 
Gamut Bach Ensemble at
Philadelphia’s Chamber Music Society Series, 
Hong Kong Voices,
Indianapolis Early Music Festival,
Illinois Symphony, 
La Fiocco,
Memphis Symphony,
Mountainside Baroque,
New Haven Symphony,
Portland Baroque Orchestra, 
Saint Thomas 5th Ave Concert Series,
San Diego Bach Collegium,
Staunton Music Festival,
Three Notch’d Road-Virginia Baroque Ensemble,
Voices of Ascension
Washington Early Music Festival
Winston-Salem Symphony